APROPO, 2025
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A visual identity was developed for the event collective [APROPO], which uses Piaggio Apes as mobile bars.
A logo, a customized corporate font and templates for various applications were developed. Merchandising articles were designed and produced using screen printing. Apropo is an ongoing project in which the visual implementation is continuously being developed.
MEMORIA, 2024
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Memoria is a custom serif typeface designed for the Whitney Museum's library research department and archives. Rooted in the museum’s history, it revives elements from a typeface once used in its signage and a 1930s publication. While respecting these historical references, Memoria subtly reinterprets the original design. The typeface integrates seamlessly with the museum’s modern corporate identity.
14THX, 2024
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[14THX] is a creative initiative rooted in the joy of design and the spirit of giving. It began this year as a small gesture — sending personalized cards to friends — to make their day a little more special. The vision is to turn this into a lasting tradition, expanding the list each year and embracing new ways to bring people closer. Created in collaboration with Elisa Käser.
RUNNING OUT OF TIME, 2024
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Premature deaths are measured using the "Years of Potential Life Lost" (YPLL) indicator, which places greater emphasis on deaths occurring at younger ages. The infographic highlights the data and stories behind these lost years and shows how certain diseases shorten the lifespans of individuals in Switzerland. While raising the question, how do we manage the limited time that we have.
LAUNDROMAT, 2024
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Inspired by an old laundromat sign, this custom sans serif display typeface was developed. The process involved extracting modular shapes from the original sign and constructing a full character set using both manual and digital techniques.
LANGNAU JAZZ NIGHTS, 2024
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Poster proposal for the 2025 Langnau Jazz Nights in Bern.
CILO, LOGO REDESIGN, 2024
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This project explored the evolution of the Cilo bicycle brand logo through different eras. Five new logos were designed for key years (1920-2040), reflecting changes in design trends and brand identity. The results were presented in a risograph-printed fanzine, created in collaboration with Dana Cavaliere.
SIGNS AND SYMBOLS, 2024
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Five custom symbols were designed to represent the unique character of Zurich's Kreis 5 district. Inspired by local observations and research, the symbols reflect the district’s atmosphere, architecture, and culture. The symbols were developed through a structured design process, involving both manual drawing and digital refinement.
ZSC, 2024
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Poster proposal for the 2024 Pfingstregatta of the Zürcher Segel Club, created in collaboration with Alysha Stacey.
TATORT, 2023
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A
reinterpretation of a script from the Swiss Tatort. The script was divided into five chapters, each representing a key location from the episode. A scene index guides readers through the narrative, helping them navigate and piece together the story.
SUPREME SUCCULENTS, 2023
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Drawing from the natural shapes of succulents, sketches were transformed into an abstract 3D model, which was placed in a virtual environment and enhanced with unique textures, lighting, and composition.
SCREWED, 2023
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Inspired by the form and function of a screw, this project explored the creative potential of materials through traditional letterpress techniques. The focus was on deconstructing the screw into its fundamental components—shape, texture, and symbolism—and using these elements to guide the creative process. Created in collaboration with Sara Maric.
PAGE NOT FOUND, 2022
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This series of images explores the merging of real life and digitalization. As digitalization continues to expand, everyday conversations diminish, giving way to automated interactions – yet a meaningful exchange remains absent.
ALLTAG, 2021
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A series of images depicting everyday life of the Sicilian town of Terrasini, complemented by the witty aphorisms of German author and cabaret artist, Horst Evers.
ABOUT
Anna Facchinetti is a swiss graphic designer currently studying at Zurich University of the Arts. Visual communication, to her, represents the challenge of navigating a world where we're constantly surrounded by images, influencing how we see and understand reality. We take in visuals by judging, absorbing, and filtering them, shaping our sense of self and our understanding of the world.